What to do? Well we simply sat on a table in the middle of the auditorium got out a couple of acoustics and my ole banjo started doing some songs (we had 4 piece harmonies.) within no time a heap of people were singing along and we had a great party. One of the best nights I can remember is we were well into a gig and the region received a major blackout. Here is a video that has some good ideas for a simple setup.Įdited by Planobilly ( 12/17/21 10:09 PM) I would pitch mine off the nearest bridge if I could get away with it. My younger friends use their iPhones for everything. Having a setlist pre-programmed with midi and a way to pause it and micro loop with a footswitch and stuff like that gets really complex.at least to me.īob "Notes" has been doing this for years and is a good guy to ask about these issues. Reliable equipment exists but the better you get the more it costs in general. I am finding really good backing tracks are not easy to acquire unless you can play all the instruments or have tons of money to have studio musicians produce them. It also can cause problems when you are just talking. ![]() Auto-Tune requires a different setup for every key change for example but is programmable with midi. I want to use Auto-Tune and other computer-based FXs plus the backing tracks. I also am on the hunt for the best equipment/processes I can afford for a duo. Chords fail pretty often if you don't know how to take care of them. I always carry a backup guitar amp and two or three guitars. Other than a complete PA failure the last resort backup is a guitar amp and a very loud vocal.lol or an instrumental till a break to fix the issue. No matter how one creates and uses backing tracks, sooner or later something will fail no matter what sort of equipment you use. Compatible with iRig/HD, Apogee JAM, Microphone, or most other adaptors for LiveMix.Just like the space shuttle, redundancy is the only real answer to electronic failures. Remotely control Anytune via MIDI or from a Bluetooth keyboard or foot pedals such as the AirTurn BT-105 or PageFlip Cicada in the Remote Control version (optional in-app purchase) Export a tempo/pitch adjusted track via Email or Open-In (m4a/aac format), and Export to the AudioCopy clipboard in the Export version (optional in-app purchase) Import your music from Files app, Dropbox, WiFi, and Open-In, and Paste from the AudioCopy clipboard in the Import version (included in Pro+) Solo or mute vocals or instruments with ReFrame™ Audio Isolation, Amazing HQ audio quality down to 0.05x, Pitch up or down by 24.0 semi, Pinpoint your instrument in the song with FineTouch™ EQ, Feel as though you’re playing in the band with LiveMix™, Queue up a mark for playback with Play Next, and Fade-In or Fade-Out music when playing or pausing in the Studio version (included in Pro+) Adjust Gain and Pan, ReTune your song with scripted tempo and pitch changes, Delayed playback start, Loop Interval Trainer, Transcribe mode to facilitate replay, and Unlimited audio marks in the Pro version (included in Pro+) Custom Skins, Ad-Free, Auto Loop Between Marks, and Lyrics Editing and Auto Scroll in the Basic version (included in Pro+) Play songs directly from your Music Library Stream audio to Audiobus and Inter-App Audio compatible apps ![]() Mark and loop song sections for practicing Organize songs into folders and playlists/setlists Visualize your song to find the part you want quickly and easily Adjust the tempo without affecting pitch to practice at your pace
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